Cycle B: Western Classical Tradition: 20th Century Modern Era

Year 6

❤️ Cycle B ❤️

Genre: Western Classical Tradition

Style: 20th Century Modern Era

Composers:

Samuel Barber 

Steve Reich & Minimalism

Samuel Barber – loved the Romantic Era (1910—1981)

He wasn’t very bothered with the modern, experimental musical styles that his contemporaries were embracing in the mid 1900s. Instead his music sound a bit more like music from the Romantic Era. ‘Adagio for Strings’ (1936) is one of his most famous works.

He was born in Pennsylvania, USA. He had a privileged childhood – his father was a doctor and his mother a pianist.

At a very early age, Barber became profoundly interested in music, and it was apparent that he had great musical talent and ability. He began studying the piano at the age of six and at age seven composed his first work, ‘Sadness’, a 23 bar solo piano piece in C minor.

Steve Reich explored electronics (1936 – )
Steve Reich was intrigued by world music

Steve Reich was born in 1936 in New York City to Jewish parents. When he was 1 year old, his parents divorced. He had piano lessons as a child but his family only played music from the Classical Era (Beethoven) and Romantic Era (Dvorak) and nothing from after 1900!

When he heard music from Baroque Era and modern music his mind was blown and he knew he wanted to study music further in University. This composer is a trail-blazer as he smashed musical boundaries mixing together his classical training with his love of African drumming, jazz and pop music, and helped to invent a whole new form of music: minimalism.

In the 1960s Reich experimented with sampling and looping tapes. Curious about many different types of music, in the 1970s Reich travelled to Seattle to study the Gamelan and to Ghana, to study West African drumming.

Samuel Barber – ‘Adagio for Strings’
Played by the Detroit Symphony Orchestra in 2016
William Orbit: ‘Adagio For Strings’ (Sample of Samuel Barber’s piece)
Electronic Dance Music using a sample of 20th Century Classical music to great effect!
Minimalist music is like the shifting sands on a beach
Imagine that each wave is a musical phrase. The waves or phrases are similar but never identical and gradually the stones and sand are shifted and the landscape changes. This is how it is with minimal music. The phrases repeat but subtly change over time, sometimes almost imperceptibly and gradually the music evolves and changes.
Steve Reich and Musicians: ‘Six Pianos’ (Live in Amsterdam 1976)
A performance of Steve Reich’s ‘Six Pianos’ live at the 1976 Holland Festival, featuring Steve Chambers, Nurit Tilles, Glen Velez, Timothy Ferchen, James Preiss and the composer himself on grand pianos.

THePETEBOX Future Loops – ‘Panther Dance’ – Beatbox & Loop Pedal
This is a modern example of vocal samples and looping.
Mike Oldfield ‘Tubular Bells’ Live at the BBC 1973
Mike Oldfield’s 1973 album ‘Tubular Bells’ is considered to have strong minimalist elements. Minimalist music is a style that often uses repetition and gradual processes. 

❤️Further Learning❤️

Explore 20th Century Modern Era music further here. Listen to Sergei Prokofiev’s beautiful piece and then explore how it inspired 1970’s progressive rock musician, Greg Lake.

Sergei Prokofiev: ‘Troika’
University of Melbourne Symphony Orchestra in Australia 2021
Greg Lake: ‘I Believe in Father Christmas’
Greg Lake performs his 1975 classic “I Believe in Father Christmas” filmed live at St. Bride’s Church, Fleet Street, in the City of London with Jethro Tull’s Ian Anderson on flute, David Arch on keyboards, Florian Opahle on acoustic guitar and the church choir.
Greg Lake: ‘I Believe In Father Christmas’ (1975 Music Video)
Greg Lake was a member of trailblazing UK-based rock bands King Crimson and Emerson, Lake and Palmer. This was a Christmas hit in 1975.

Lesson Resources:

Steve Reich – Music for 18 Musicians (excerpt) – BBC Teach

https://www.classroom200.org/lesson-plans/118